Showing posts with label 2015. Show all posts
Showing posts with label 2015. Show all posts

Spotlight (2015)

In 2001 the "spotlight" team at The Boston Globe comprised of editor Walter "Robby" Robinson (Michael Keaton), and reporters Mike Rezendes (Mark Ruffalo), Sacha Pfeiffer (Rachel McAdams) and Matt Carroll (Brian d'Arcy James). This small group of investigative reporters would usually spend over a year on stories which require extra digging, in depth analysis, or extensive research. They work together like detectives putting together puzzles and bouncing ideas off of each other while tossing a tennis ball against the wall and eating leftover pizza. These are the kinds of stories that win awards, the kinds that change the world.

They begin investigating sexual abuse trends from Catholic priests in Boston. They interview a few victims, meet with a few experts and soon what starts as a seemingly small albeit horrific issue turns into a much bigger problem. There could be as many as 87 priests in Boston alone. They see that the roots go deeper than just a few bad seeds. It's a booming psychological phenomenon that spreads from the Vatican to all across the world.

But, like any good mystery, when they start getting closer they are met with more and more obstacles to overcome. They face pushback from the church, uncooperative sources, and run-ins with lawyers. And then there is a terrorist attack on the World Trade Center and the spotlight reporters are pulled to work on 9/11 reports. It takes a long time for them to get the story right because they know if they don't get it ~right then it will just be buried or overlooked.

They deal with this sensitive material with kindness but also straightforwardness. Their interviews are done as any journalist would - to get to the bottom line. In one interview one of them asks "Did you ever think about telling anyone?" He responds, "Like who, a priest?" These are awful, painful stories about people who were taken advantage of and deeply affected. In the end, it gets to the reporters too. There are some striking emotional scenes where they express the unfairness of the situation and the dire need to tell the public what was going on.

Through the tenacity, the long hours, and the brilliance of this team of reporters, one of the biggest scandals was uncovered and released to the public. The last scene is so emotionally overwhelming and yet also wonderfully understated. When the story is released, the phones at Spotlight are ringing off the hook almost exclusively with victims wanting their story to be told and heard. This is important.


It's a film that ranks alongside the gold standard of journalism films, "All the President's Men." It depicts the journalistic process without glamorizing: it's tough work. Those journalists are out on the streets, going door to door, rummaging through old boxes in libraries and courthouses day in and day out. But through their rigorous work, people who were afraid can have a voice. Their story can be told.

It's a movie about a team and a team made this movie. If the Oscars were to give an award for best performance from a group, this movie would deserve it. No one actor stands out, but they all do their job and get the job done. Other performances include Stanley Tucci, John Slattery, and Liev Shreiber. The many supporting acts come together to build this masterpiece.

Perhaps even more credit is due to director Tom McCarthy who didn't glorify the abuse but didn't minimize the damage. He paced it perfectly and created an intense drama even when the audience knows the outcome. This is one of the best - if not the very best - films of the year. 10/10

88th Oscar Predictions and Picks

PICTURE: Spotlight
It's a journalism movie. Of course this is my pick. But in all honesty, I think Room was my favorite movie of the year.

DIRECTOR: Tom McCarthy - Spotlight

ACTOR: Leonardo DiCaprio - The Revenant
It's about time for Leonardo, and the internet agrees with me

ACTRESS: Brie Larson - Room
No movie affected me more than this, and her performance was phenomenal

SUPPORTING ACTOR: Sylvester Stallone - Creed
This is my prediction, however, I want Mark Ruffalo to win and he was the best, imho

SUPPORTING ACTRESS: Alicia Vikander - The Danish Girl
She was so elegant and was the best part of this movie.

ANIMATED: Inside Out
CINEMATOGRAPHY: The Revenant
COSTUME: The Revenant
DOCUMENTARY: Amy
DOCUMENTARY SHORT: Body Team 12
FILM EDITING: The Revenant
FOREIGN: Son of Saul
MAKEUP: Mad Max
MUSIC: Carol
SONG: "Earned It" from Fifty Shades of Grey
PRODUCTION DESIGN: Mad Max
ANIMATED SHORT: Can't Live Without Cosmos
LIVE SHORT: Stutterer
SOUND EDITING: The Revenant
SOUND MIXING: The Revenant
VISUAL EFFECTS: Star Wars Episode VII: The Force Awakens
ADAPTED SCREENPLAY: Room
ORIGINAL SCREENPLAY: Spotlight

The DUFF (2015)

As a huge fan of "Easy A" and "Mean Girls," I was anxious to check out Ari Sandel's "The DUFF." This might be because I didn't really go to high school so I like to live vicariously through these entertaining, stereotype-filled movies. Though really, they make high school seem miserable (and the one year I did attend was difficult enough) so maybe it just makes me feel better about missing out on the drama but still getting to understand it through comedy. Anyway, I doubt I'm alone in thinking that there is something incredibly enjoyable about these teen-comedies when they're well-written. Though the other two films are still funnier and have better jokes, "The DUFF" holds its own with a great heroine and a romance that is actually worth rooting for.

Mae Whitman stars as the vampire-movie-loving, overalls-wearing, boy-fearing Bianca Piper. She hangs out with Jess (Skyler Samuels) and Casey (Bianca Santos) - the textbook hot girls - who steal the affections and admiration of most of the school. At a party, Bianca's neighbor and QB hunk Wes Rush (Robbie Amell) brings it to her attention that she is the DUFF - the designated ugly fat friend - to her hotter counterparts. She is the gatekeeper; she is the approachable one whom men can exploit and find out the dirty deets on her less accessible, intimidating, dateable best friends.

This fuels a devastating and overwhelming identity crisis for Bianca. But when she realizes that Wes is right and that people only talk to her as a way to get to Jess and Casey, she determines to rid herself of "duff-ness" in order to get with her crush Toby (Nick Eversman). In exchange for helping Wes with science, he agrees to help and advise her in her predicament. So, yes, this entire premise is filled with stereotypes and clichés. There's the high school paper/assignment that culminates the entire point of the movie, the Eliza Doolitle trying on clothes scene, the quirky teacher and the neglecting parent (Ken Jeong and Allison Janney in two thankless roles, although Janney does get a great lawnmower intro), the homecoming dance, the catty girls, the gossip.

However, though it's entirely flooded with things we've already seen, these characters are surprisingly not wooden. This is most evident in the unexpectedly layered Wesley Rush. Neither of the love interests in "Easy A" or "Mean Girls" are terribly fleshed out nor are they characters anyone really remembers or cares about. Amell is a talented actor and he brings wit, charm, and sweetness to an archetype typically left to surface exploration only. Consequently, "The DUFF" is more than just a teenage farce and actually a sweet rom-com. Bianca and Wes share some very human moments together and their friendship is credible. It's a relationship that goes beyond the initial spark of a kiss.
Even Bianca's friendship with Jess and Casey is filled with more positive vibes than animosity. However, it's a shame there isn't more substance to that relationship. It almost works against the movie's ultimately positive message about friendship overcoming labels and support for self-confidence and discovery. It's still refreshing to see a friendship that, even when on a break, doesn't turn to cruel backstabbing and catty name-calling or treachery. In the end, the only character that feels wooden is queen-bee, mean girl, "pre-famous" Madison (Bella Thorne). This stereotype works to fuel the conflicts of embarrassing viral videos and Wes's on-again/off-again girlfriend.

Another thing that makes "The DUFF" stick out next to these other (and mostly better) teen-movies is its timely capture of technology's dissonant effect on 21st century high-schoolers. Though people in 2015 may not necessarily end a friendship by making a scene of unfriending them on Facebook, this still provides for commentary on the social-media infused existence we all live in. The wide shots of the entire school staring down at their phones, for example, are telling of these imminent issues. In addition, Snapchat, Pinterest, and Instagram references alongside onscreen hashtags and animations contribute to the overall idea that these viral videos and networks hover over constantly. This is simultaneously the most enjoyable feature and the biggest drawback. Inevitably this will date the movie and prevent future generations from understanding all of the jokes.

(On a side note, I'm pretty sure that kids these days don't say "Viral? Viral" to get things to circulate. Idk, but I'm pretty sure that's not how the viral thing works).

But despite some jokes that fall flat, and some clichés that go too far to "inspire", there is something that any insecure girl (including myself) can connect with. Obviously Bianca - who's as real as they come, bedazzled with piercings, and beautiful if not typeface hot - is not ugly, nor fat. But as Wes clarifies at the beginning - a DUFF doesn't have to be those things. It's the idea. Anyone with insecurities is a DUFF. I'm a DUFF. You've probably been a DUFF. We all feel inadequate in some way and struggle to overcome labels. Sometimes those cheesy messages about being yourself are worth repeating, I guess.
If nothing else, it's hard to dismiss a film that gives Mae Whitman her long overdue spotlight. Up until now, she has been a stalwart supporting role in things like "Arrested Development," "Parenthood," and more recently "Perks of Being a Wallflower." It's time for her talent to be displayed at the forefront. Her comedic timing is impeccable and it's fun to see her shine. This honest, adorable and relatable actress deserves this springboard for more complex roles.

So, no. I don't think "The DUFF" will pass the test of time like others of its genre have been able to. But it's still a snappy comedy full of charm and worth a watch. 7/10